The Price of Shoes

Last week I was a victim of credit card fraud. The fraudster spent almost £2000 on  a coach ticket, a stay in a hotel and some shoes. “That must have been an expensive hotel,” I can hear you thinking. But it wasn’t. The bulk of the money was spent on the shoes – £1600 for two pairs!! The fact that footwear could cost so much shocked me almost as much as being cheated.

Praise must go to MBNA for sorting everything out at top speed. It only took one phone call to get my card cancelled and the money refunded. So I’m no worse off, and the insight into how the rich live may come in handy one day in a book. No experience, however bad, is ever completely wasted for an author.

Selling Books From Your Website

After 12 years spent building and running book-related websites, I’ve learned a bit about selling books online. Here are some of the most frequent questions I get asked.

I’m an author. What’s the best way to let people buy my books from my website?
The easiest and probably the most effective way to do this is to link each book to the relevant page in Amazon. If you join the free Amazon Associate scheme, you’ll get commission on all sales that result from someone clicking through from your site to Amazon’s. That’s not just your book. It’s everything else they buy while they are there. I once got commission on a mountain bike which was very welcome.

You’ll also gain access to useful statistics on how many people click-through on your book links and what percentage of them buy.

Why Amazon?
Mainly because people trust Amazon with their credit card details so they are more likely to buy from them. We’ve tried linking to two other major bookshops in the past and given up because the linking was harder to do and we didn’t get any sales.

Linking to Amazon also offers your site visitors lots of extra information about your book, including sales ranks, reviews and, if it’s set up, the ‘look inside’ feature.

But I’ve got a pile of books under my bed that I want to sell. Linking to Amazon won’t get rid of those.
That’s true, but there are several alternative ways around the problem.

  1. Put your book on Amazon Marketplace and link to its page so you can still get Associate fees. You have to pay Amazon a flat fee plus a percentage of selling prices, but in return they handle the order and take the money for you. Once again, you’ll be using people’s trust in Amazon to help your sales.
  2.  Provide an order form for people to print out and post with a cheque.  This is cheap and simple, but it gets in the way of people making spur of the moment purchases. In our experience, it works best with niche market non-fiction that offers information that’s hard to get elsewhere. It’s not so effective for fiction, although it costs nothing to try, and you can add the extra bonus of signed copies.
  3. Take payments using PayPal. This is free to set up, but you have to pay a small percentage on each transaction. PayPal is so well-known system that many people who want to buy your book will already have an account and be used to paying for goods this way.
  4. Take credit card orders with Worldpay or with another payment provider using your own merchant account. This can be expensive and, in our experience, book sales from author websites are usually modest and unlikely to cover the cost of going down this route. You can find out more about the costs on the Electronic Payments website.

These four options are not mutually exclusive. There’s no reason why you can’t use all of the first three at once, and it definitely makes sense to offer cheque payments as well as PayPal.

However you take the orders, you’ll still have to pack the books and send them out. That needs to be done promptly so make sure you have packaging materials in stock and check regularly for email orders. You’ll also need to stop taking orders or arrange for cover if you’re away for an extended period of time. Of course, this chore is saved if you’re selling ebooks. In that case, you’ll need to set up a secure download system.

All the above advice is aimed at authors. But I’m a publisher/bookseller and I want to set up a proper online bookshop. What’s important to consider?
Start by taking a long hard look at your competition, especially Amazon. Buy some books from them yourself to see how their systems work and talk to other people who buy books online to see how they would like to see the process improved.

Then plan your site to offer your potential customers an experience that’s at least as good, but preferably better. Spend time planning to make sure you get the site structure right. No amount of pretty graphics and dancing penguins will make up for clunky navigation and slow loading pages.

Your search facility has to be excellent. If it’s not, you might as well give up and save the cost of the site because you will only sell books if customers can find them. So make sure site visitors can browse by category and search by subject or keyword as well as title or author. This is a good place to challenge your competitors by offering a wider range of categories. Hopefully your research has shown up some good ones to include.

Recommendations are good too, but they should be based on what the customer has shown they want to buy rather than on what you want to sell. Something similar to Amazon’s “people who bought this, also bought that” system would be a real asset.

Once customers reach a book page, give them the best experience they can. As well as showing them the cover and the back cover blurb, let them read an extract or download a sample. Reader reviews are good too, but you need to police the system to stop it being misused.

I’ve already got an online bookshop but people keep abandoning their carts without buying the books they’ve put in them. What am I doing wrong?
There will always be people who change their mind or have to stop shopping because the cat was sick on the carpet. But, if you’re getting a lot of abandoned carts, check that the purchasing process to make sure it’s user-friendly. Common problems are:

  1. Not telling people about the cost of delivery before they’ve committed to buying. Of course, the exact cost will depend on where they live but you should state how you work out your delivery charges on a page that’s easily reached from the main part of the shop.
  2. Forcing them to set up an account when they don’t want to. We all have more passwords than we can handle, and I often abandon a purchase when I’m asked to create yet another one. Even if you want to offer an account system, give customers the option of buying as a guest if they prefer.
  3. Not looking trustworthy. If you’re asking for people’s credit card details, you should have your postal address on the site so they know who they are giving them to. A phone number is good too, and so is a clear returns policy.
  4. Having forms that don’t work properly. I’ve dropped out of sales because the site wouldn’t accept my address or claimed my phone number wasn’t valid.

What’s the best way to test my site?
Ask friends who have never used the site to find and buy a book while you watch. Don’t say anything. Just note where they get lost, go wrong or give up in frustration. You’ll be amazed how much you learn.

 

 

Can Tesco and Sainsbury’s beat Amazon at selling ebooks?

When I saw that two of the largest supermarkets in the UK had entered the ebook market, I wondered if this would be the end of Amazon’s dominance. I also wondered if I should be persuading Tesco and Sainsbury’s to stock my own ebooks so I visited both sites to explore how they worked.

The first thing I discovered was that neither supermarket is in direct competition with Amazon, because neither of them sell ebooks that can be read on a Kindle. In fact, Sainsbury’s go so far as to claim on one of their help pages that “Unfortunately Amazon Kindle ereader devices don’t support eBooks bought from Sainsbury’s or any other retailer”. This is not true. There are other retailers who sell books that can be read on Kindles – Smashwords for one – and Project Gutenberg gives them away for free.

Both Tesco and Sainsbury’s are selling epub books with Abobe DRM, but apart from that, their websites are very different. Continue reading

Resources for publishing print books

tmbhkindlecoverWhen I first decided to do a print edition of There Must Be Horses, I thought I’d pay someone to lay out the book for me. But most designers use Adobe Indesign so I wouldn’t be able to make any last minute edits myself unless I bought the same software. At £650, that’s seriously expensive and way outside my budget.

Thankfully an internet search showed up a viable alternative that was much, much cheaper: Serif Page Plus X6. At around the same time, I met an author at the Winchester Writers’ Conference who had used PagePlus to create his book. The end resul looked so professional that I decided to give the software a try, and I’m really glad I did.

Tackling a task I had never done before with software I had never used was a pretty ambitious project involving a huge learning curve, but I soon found there is plenty of useful information on the web as well as Serif’s own tutorials. There’s even an excellent phone helpline where an extremely helpful man patiently talked me through something I was finding extra tricky. Once I’d learned how to use master pages for internal design and layers for cover design, I was able to experiment and discover the full power of this excellent software package.

Page Plus produces high quality pdf files ready for sending to the printer. But in order to produce a professional looking book, I needed to understand the conventions of book layout and learn how to make professional decisions about fonts. For this, I turned to several other resources.

  1. The books on my bookshelves.
    Looking at these helped me see that the odd numbered pages are always on the right and that new chapters start further down the page than the rest of the book does.
  2. www.thebookdesigner.com
    An excellent site full of advice on book layout and cover design.
  3. Createspace
    Amazon’s user friendly POD system that offers helpful advice and templates to help you lay out your book. I found its article on creating pdf files particularly useful.
  4. www.fontsquirrel.com
    A useful source of free fonts.
  5. The Non-Designer’s Design and Type Books
    I love this book by Robin Williams (which is actually two books in one). It’s an excellent introduction to design and type for beginners, packed full of visual examples that demonstrate the difference even small changes can make. I found it invaluable for understanding which fonts to choose and how to decide about leading (the technical term for line spacing). It’s also useful for designing publicity material.

I’ve received many flattering comments about the print edition of There Must Be Horses so these resources worked for me. Why not give them a try?

Two horse books that changed my life

After creating 20 novels for 7-9 year olds, I fancied the challenge of writing a horse book for older readers. But it wasn’t that book that changed my life – it was the books I encountered while I was working on it.

Before I could start writing, I needed a plot – something with wider appeal than another  “they all won red rosettes” title – so I decided to investigate the world of horse whispering. The obvious starting point was Monty Roberts so I read The Man Who Listens to Horses and a couple of his other books. Then I delved into Amazon’s “people who bought this also bought that” feature to help me decide what to try next.

Soon I had an eclectic mix of books about horses and horse training on my shelves. They all proved useful to some degree, but two of them had more effect than I had ever expected. Continue reading

The role of agents in the changing world of publishing

In a recent article in ALCS News, agent Tim Bates states:

I’m a literary agent not a publisher, and although I spent a decade working in various roles in publishing houses, including as a commissioning editor, I do not have the complete set of skills or the knowledge or the sales networks or the PR and marketing teams to call myself a publisher.

So why is it that more and more writers believe they can do these highly skilled and time-consuming jobs themselves?

This isn’t a valid argument against self-publishing. No one has all the skills he lists. That’s why publishing companies pay editors, designers and marketing professionals to do the relevant part of the work for them. And there is absolutely no reason why an author can’t do exactly the same. Continue reading

Grief is a sea of tears

Grief is a sea of tears that ebbs and flows. Now, so soon after that last goodbye, the waves are huge, engulfing me completely so I can feel nothing except sorrow, then retreating briefly, leaving me exhausted.  But just as the real sea calms after a storm, so I know my grief will steady over time. It will never disappear completely. I will always miss you. But eventually I will be healed by the warmth of your remembered smile and once again be happy.

Please feel free to copy and share these words if they help you.

Is Writing a Cottage Industry?

A recent editorial in The Bookseller contained an interesting sentence that set me thinking.

Most books in this country are not self-published, and most are sold at prices that sustain a sector not a cottage industry.

He’s right. Most traditionally publishing books are priced to support a sector , namely the traditional publishing industry. And that sector currently needs plenty of money to keep it going. For example, the books published by Penguin have to support an impressive headquarters in an impressive area of London: a building that must have cost a fortune. They also have to support all the staff in that building and make sure that Penguin’s CEO continues to earn more than half a million pounds a year.

The interesting issue is how well traditionally published books support the people who actually write them. They rarely get more than 7.5% of the cover price of a paperback and, in these days of high discount sales that trigger lower rates, they frequently get far less.

Advances have dropped and are continuing to fall. They are also paid in instalments so authors rarely receive more than half up front, where they need it to live on while they write the book. Worse still, the final advance payment is often made on publication – a date that’s normally a year or more after the actual work was done. Try that technique with a plumber and you won’t get far.

Wikipaedia defines a cottage industry as one where most people work at home, often part time. On that basis, writing is definitely a cottage industry. And the money from traditionally published books is not being used to sustain that industry – it’s sustaining the publishing sector instead.

Authors faced with falling royalties and increasing bills have to look around for other sources of income, and one of those is epublishing their backlist. This is remarkably easy and, once they’ve discovered how much more they earn per book that way, it’s logical to make the jump to self-publishing their next new book instead of handing it over to the traditional system.

The book trade has two vital components – the writers and the readers. Unless publishers look after the first, they’ll eventually have nothing to offer the second. So maybe it’s time for them to give up their prestigious offices and high managerial salaries and offer a better deal to the people without whom there would be no publishing industry at all.

 

Can Penguin offer self publishing?

A recent BBC news item about Penguin moving into self publishing caused a friend some confusion. She couldn’t understand how any publisher could do that. Wasn’t self publishing something that, by definition, you did yourself?

I can see why she’s confused. True self publishing is just what she said. But a whole industry has grown up around it that has muddied the waters and caused what should be a completely legitimate process to be looked at with disdain. Continue reading